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The Hunger (1983)
Directed
by Tony Scott
There
are any number of vampire movies available to buy or rent and new ones
are being produced all the time, but the majority of on-screen
vampires share one thing in common: the long sharp teeth. There are, of
course, a few movies that break the mould and have a slightly different
kind of vampire. The
Hunger is one of these movies.
The movie is set in 1980s New York. David Bowie and Catherine Deneuve
star as John and Miriam Blaylock who, on the face of things, appear to
be a normal couple. They look very respectable and live in a house that
is large enough to indicate that they are also a wealthy couple. They
even venture out in daylight hours; so there is nothing about them that
screams vampire, but that is exactly what they are. The movie begins
by showing the Blaylocks in a nightclub, where they pick up a younger
couple and take home with them. Swinging session? It certainly looks
that way until the Blaylocks slit their victim’s throats, and feed on
their blood.
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The Blaylocks don’t use a normal common all garden
knife for this messy
work though. Each of them wears an Ankh around their neck and their
Ankhs are a little different from most because the bottom section pulls
away to reveal a short, sharp blade and it is this they use
whenever they want to feed.
Flashback sequences indicate that the Blaylocks have been together for
a very long time and that Miriam, who is the oldest, was around and
busy
doing her thing in Ancient Egyptian times. John, on the other hand, is
only the most recent of a long line of companions. Miriam promised John
that they would be together forever, but it soon becomes apparent that
Miriam was either indulging in a spot of wishful thinking, or was lying
to him, because John, like Miriam’s former lovers, has started to age
and there is a reason for this.
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John and Miriam have to sleep six out of every
twenty-four hours and
feed once every seven days. The problem is that John can no longer
sleep at all and, deprived of his beauty sleep, time is playing catch
up.
Susan Sarandon plays premature ageing specialist, Dr. Sarah Roberts,
who has found a connection between sleep and the aging process. Miriam
has read one of the doctor’s books and goes to see her, but if she
finds out anything that could help John the viewer is kept in
ignorance. It is obvious, however, that Miriam is very attracted the
doctor.
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John also goes to see Roberts, but when he shows
her the age spots on
his hand and informs her that he was “30 years old this morning,” she
takes him for a nut and leaves him in the visitors lounge, promising to
return in twenty minutes time, but not intending to do so. There then
follows quite a sad and dramatic scene where Roberts sits and watches a
baboon test subject age very rapidly, die, and turn to dust. While all
of this is happening John is still waiting in the visitors lounge and
doing some rapid ageing of his own.
When John returns home Miriam is not there. Iin fact, she seems to be
out and about and doing her own thing a lot of the time. After such a
long time together you would expect that she would want to be at John’s
side so that she could spend as much time with him as possible.
Apparently this is not the case though, and I had to ask myself how
much she cared for him in the first place. Was he really her love, or
just a disposable companion? This is a good question because as soon as
John’s strength fails him she carries him up to a room at the top of
the house, places him inside a wooden box, and stacks him alongside the
rest of her former lovers. Then, with no mourning period at all, Miriam
turns all of her attention to wooing Dr. Roberts and has soon bedded
her and infected her with vamphyric blood. This time however, Miriam
may have bitten off more than she can chew because Roberts does not
appreciate a new lifestyle being forced upon her and she has no
intention of playing by Miriam’s rules.
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The
Hunger is refreshingly different from the majority of
vampire movies. As I mentioned at the beginning of this review one
difference is
that fangs have been replaced with blades, but this is not the only
thing that makes The Hunger a little different. In many vampire movies
the vampires are busy trying to increase their numbers,
but The Hunger
has just two vampires and Miriam only decides
to create another one when she needs to replace her companion. These
vampires walk by day, have a strict sleep pattern to adhere to and, let
us not forget that, in this movie, the female of the species is very
much the dominant partner. I think it might be fair to say that, back
in the 80s, The Hunger
broke new ground.
Bowie and Deneauve are well cast as the Blaylocks, and Susan Sarandon
was an equally good choice to play Dr. Roberts. Few people would argue
that Deneuve and Sarandon are both very capable actors. David Bowie is
a totally different kettle of fish. He is famous for singing, rather
than acting, but you might be surprised to learn that Bowie does have a
certain flair for acting and, if you have never been exposed to his
acting talents,
The Hunger is a good place to start because he has a little more time
on screen that he does in many of his other movies.
The
Hunger has a runtime of just over an hour and a half and
although it is quite
bloody in places, it is not a high action particularly gory or high
action movie. It's pretty
slow moving in fact, but it has a reasonably good storyline, a capable
cast,
and a pretty good twist at the end. It will not be to every viewer’s
taste, and the movie received some very negative reviews when it was
first released, but The
Hunger has since achieved a cult following so
it is also true to say that many people love this movie.
Rating:
4 out of 5.
Runtime: 93 mins
Certificate: 18 (UK), R (USA)
CAST
Catherine
Deneuve
David Bowie
Susan Sarandon
Cliff De Young
Beth Ehlers
Dan Hedaya
Rufus Collins
Suzanne Bertish
James Aubrey
Ann Magnuson
John Stephen Hill
Shane Rimmer
Bauhaus
Douglas Lambert
Bessie Love
John Pankow
Willem Dafoe
Sophie Ward
Philip
Sayer
Lise
Hilboldt
Michael
Howe
Edward
Wiley
Richard
Robles
George
Camiller
Oke Wambu
Kent
Miller
Fred
Yockers
Susan
Hunter
James
Wassenich
Allan
Richards
Hilary Six
Carole-Ann
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Miriam
Blaylock
John Blaylock
Sarah Roberts
Tom Haver
Alice Cavender
Lieutenant Allegrezza
Charlie Humphries
Phyllis
Ron
Young Woman from Disco
Young Man from Disco
Arthur Jelinek
Disco Group
TV Host
Lillybelle
1st Phone Booth Youth
2nd Phone Booth Youth
Girl in London House
Boy in London House
Waiting Room Nurse
1st Intern
2nd Intern
Skater
Eumenes
Egyptian Slave
Cadaver
Cadaver
Cadaver
Cadaver
Cadaver
Cadaver
Cadaver |
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