Spiral is a
Japanese horror movie based on a story from a manga comic book series.
The movie's original Japanese title is Uzumaki, but
although it is more commonly marketed under the title Spiral, Vortex is the
English title used in Hong Kong and it seems likely that the subtitles
were applied there because throughout the movie the subtitles always
refer to a vortex rather than a spiral.
The movie is divided into four chapters. The first
one is "Premonition". The other three chapters are "Erosion",
"Invasion" and "Transmigration". Each one is crazier than the last, but
"Premonitions" introduces all the main characters and also presents the
idea that spirals may be something to be feared.
The central character is a young girl named Kirie
Goshima (Eriko Hatsune), and the story is set in the small town of
Kurouzo. The second key player in the story is her friend Shuichi Saito
(Fhi Fan). Kirie and Shuichi are obviously very close, but the lines
between friendship and romance are a little too blurred to tell how
they really feel about each other. Kirie's mother died when she was
little more than a toddler though, and when her little friend saw her
grief he swore he would protect her and now appears to consider it part
of his life's work.
Early in the first chapter, Kirie witnesses
Shuichi's father using a video camera to film a snail on a wall, and he
is so engrossed he fails to hear her greet him. She mentions this to
Shuichi, who confesses his father has been acting strange lately, and
Shuichi's overall manner indicates the matter is troubling him. It soon
becomes apparent that Shuichi's worries are not unfounded. Mr Saito's
increasing obsession with spirals becomes all-consuming, and, when his
ever-growing collection of spiral-shaped artefacts is no longer enough
for him, he decides to take things a step further by committing suicide
in the family's washing machine.
Spirals turn up again and again throughout the
movie and although some of them would be hard to miss, such as the
spiralling cloud of smoke above the crematorium after Mr Saito's
funeral, other spirals, such as little swirls of dust, can be harder to
spot. One unfortunate character even jumps—or possibly falls—from a
spiral staircase, and the resulting splatter of blood and brains around
his head forms the nucleus of a spiral floor pattern that, in
turn, becomes part of the much bigger spiral formed by the staircase.
Clever use of the camera angle exploits the effect very well, making it
quite a memorable scene.
As with many Asian movies the use of hair is not
forgotten, but in this case the half-hidden face that is so common in
movies like The Grudge
and The Ring,
is forsaken in favour of a young lady whose hair becomes so
outrageously curly—eventually spiralling many feet above her head—it is
easy to tell the idea originated from a comic book. One guy turns into
a giant snail, another one steps in front of a car and becomes wound
round the wheel; and the resulting impact causes the driver's face to
be thrown into the windscreen, where his dislodged eyeball becomes the
centre of yet another spiral formed by the cracks in the glass. It's
messy, it's unsettling, and all kind of weird, but everything works
very well and fits nicely into the context of the movie.
is an entertaining movie, and it is quite dark in places, but it is
doubtful that anyone would ever consider it terrifying. There are a few
nasty scenes that are visually unsettling, such as the one with the
body wrapped round the wheel of the car, but the way they are shot
manages to retain the movie's comic book feel in a way that makes it
hard to describe them as gory.
All in all Spiral
is an unusual and
rather disturbing movie that may not appeal to viewers who are used to
the more traditional horror movie tropes—slasher, ghost story, vampire
etc.—but will, no doubt, be better appreciated by connoisseurs of Asian
horror. Don't expect an explanation for why any of this crazy
spiralling madness though, because the reason for the strange events at
Kurouzo remains a mystery right to the end.
4 out of 5.