The
House That Dripped Blood is
an anthology of four Robert Bloch
stories
that are strung together by their connection to a house where all but
one of the tenants have met with an unpleasant end. The
last tenant was a famous film star. What became of him is a mystery
because he disappeared. Scotland Yard send Inspectror Halloway to find
out what happened to the star and Halloway’s investigation
forms a kind of
wrap-around story that
pulls the rest of them together.
At first Holloway is annoyed at being given the case and he is quick to
tell the desk sergeant that he has more important things to do than
chasing temperamental film stars. But the sergeant informs Halloway
that
this is not the first time that something has happened to a tenant of
the house. He then presents him with a file about it, and this is how
the first two stories are introduced, with the estate agent, Mr Stoker,
filling in the blanks about the final two tenants.
In Method
for
Murder, Denholm Elliot stars
as horror writer, Charles
Hillyer, who needs
somewhere to rent while he writes his next book.
Hilyer thinks that the house is perfect for his needs, he and his wife
move in, and work on the book begins. The central character in Hilyer's
book is a
strangler, named Dominick, and he becomes so real to Hilyer that the
book
is almost writing itself. The problems begin when Dominick
stops being just a figment of Hilyer’s imagination and begins
to appear around the house and gardens.
The tenant in
Waxworks is a retired
businessman named Philip Grayson
(Peter Cushing). Like the former tenant, he considers the
house perfect
for his needs, and intends to spend a great deal of time reading books
and
listening to music. Once he has settled in Grayson takes a stroll into
town and visits the waxwork museum. The museum is a dreary place and
most of the waxworks are of killers, but one dummy stands out from the
rest: a staggeringly lifelike model of Salome, holding the head of
John-the-Baptist on a tray in front of her. Grayson becomes so
captivated by the waxen beauty that he finds it hard to tear himself
away. Shortly after this Grayson’s friend, Neville, pays him
a visit and, against Grayson’ better judgement, they visit
the museum together. Neville also falls under the spell of
Salome, but he is not so successful at escaping her, and later tells
Grayson that the museum is an evil place. He is, of course, very right
about that.
In Sweets
for the
Sweet John Reid (Christopher
Lee) and his daughter,
Jane, move into the house. Reid is a stern man and, as he does not want
his
little girl to mix with other children, he hires a private teacher
to tutor her. Jane’s new teacher, Mrs Norton,
can see that that Jane is a bright girl, but Mrs Norton can also see
that she is a problem child. After she has been at the house a while
Mrs Norton realizes that John Reid has some problems of his own and
grows to believe that he may be frightened of his daughter. Later
she learns why he is so afraid of Jane, but by then it is too
late
to
save him.
The
Cloak
is the final story. Jon Pertwee stars as horror actor John
Henderson and Ingrid
Pitt plays the leading lady in his new vampire film. Henderson needs
somewhere to stay until the film is finished and becomes the
house’s latest tenant. Henderson loves the house, but he is
not so happy with his work. He considers the quality of the set to be
very poor
and is so disgusted by
the cloak the costume
department give him that he refuses to wear it, goes off in search of
something
a little more authentic, and finds exactly that when he visits an
antiques shop. Henderson’s new cloak used to belong to a real
vampire and every time Henderson wears it his dentistry goes haywire
and he has a job keeping his feet on the ground. Worse still he tries
to bite his co-star, who does not appreciate him trying to take a
chunk out of her.
Method
for Murder is my
favourite story. It is easily the darkest of
the four stories and I defy any viewer not to feel a shiver down their
spines whenever Dominick appears on screen. I found Waxworks
to be the
weakest story. The storyline is a little vague in places and this one
might almost have been thrown in as a filler.
In fact, if it was not for Cushing’s presence I would have
been tempted to hit fast forward. Sweets
for the Sweet is quite an
enjoyable tale and, although it becomes a little predictable
towards the end, Christopher Lee manages to keep it
interesting. The Cloak
is the
most humorous story and I found it
hard to keep a smile off my face whenever Jon Pertwee was on screen. I
wanted to try and take the story seriously, but something about
Pertwee’s expressions, voice and attitude always prevented me
from doing so. The scene where he uses his finger to explore his new
teeth is classic!
I enjoyed watching The House That
Dripped Blood, but if I
wanted to
nit-pick I might point out that neither the police sergeant nor the
estate agent could have any way of knowing the facts of the stories.
Especially the last one because nobody witnessed John
Henderson’s fate. The film does not contain any
scenes of sex or nudity and there is no gore whatsoever. Neither is
there any dripping blood. Not a drop. So if you were expecting any of
these things you will be disappointed. I’d never seen the
film before and I had no idea what to expect, but I was not
disappointed because the filmhas
so many
familiar faces. If you are a fan of Denholm Elliot, Peter Cushing,
Christopher Lee, Ingrid Pitt or Jon Pertwee you would probably enjoy
watching The
House That Dripped Blood,
even though the title is a little
misleading.
If, however, a not so subtle mix of flesh and gore, fast moving action
and special effects, are more up your street, The House That Dripped
Blood will
be in the entirely wrong kind of neighbourhood and you will need to
look elsewhere.
CAST
Denholm
Elliott
Joanna Dunham
Tom Adams
Robert Lang
Peter Cushing
Joss Ackland
Wolfe Morris
Christopher Lee
Nyree Dawn Porter
Chloe Franks
Hugh Manning
Carleton Hobbs
Jon Pertwee
Ingrid Pitt
Geoffrey Bayldon
Richard Coe
Jonathan Lynn
Winifred Sabine
Bernard Hopkins
John Bennett
John Bryans
John Malcolm
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Charles
Hillyer
Alice Hillyer
Dominick
Psychiatrist
Philip Grayson
Neville Rogers
Waxworks Proprietor
John Reid
Ann Norton
Jane Reid
Mark
Dr. Bailey
Paul Henderson
Carla Lind
Theo Von Hartmann
Mr. Talmadge
Mr. Petrich
Rita
Assistant Director
Detective Inspector Holloway
A.J. Stoker
Police Sergeant Martin