Public Domain Texts

The Story of Annette: Being the Sequel to “The Woman with the ‘Oily Eyes” by Dick Donovan

Picture of J. E. Preston Muddock (1843 – 1934), who often wrote under the name Dick Donovan
J. E. Preston Muddock (1843 – 1934)

The name says it all, “The Story of Annette: Being the Sequel to The Woman with the ‘Oily Eyes” is a follow-up story to The Woman with the ‘Oily Eyes”.  Both stories were first published in the Dick Donovan anthology Tales of Terror (1899). “The Story of Annette” provides additional information about the life of the vampire from the original story. Arguably an unnecessary sequel, it provides an insight into Annette’s dark history and is more prequel than sequel.

To understand the “The Story of Annette”, it is necessary to first read The Woman with the ‘Oily Eyes”. The sequel does not work well as a standalone story. However, readers who have already enjoyed the first story may find this one a huge disappointment.

 

About Dick Donovan

Dick Donovan was a pen name used by James Edward Preston Muddock,

Murdock was a British journalist and prolific author of mystery and horror stories. Between 1889 and 1922, he published close to 300 tales of mystery and detection and, for a while, his popularity in this genre was comparable to that of, Sherlock Holmes author, Sir Arthur Conan Doyle.

Dick Donovan was a Glaswegian detective that featured in many of Muddocks’s stories. The character became so successful, Muddock put it to use as a pen name. However, many of the stories he wrote under this pen name do not feature the popular Glaswegian sleuth. For instance, none of 15 stories published in his anthology Tales of Terror (1899) feature Dick Donovan the detective.

 

The Story of Annette: Being the Sequel to The Woman with the ‘Oily Eyes”

By Dick Donovan

(Online Text)

 

FROM OFFICIAL RECORDS

At the time the inquiry was held into the circumstances of Jack Redcar’s death, the authorities deemed it their duty to find out something of Annette’s past history. In this they were aided by certain documents discovered amongst her belongings, and, by dint of astute and patient investigation, they elicited the following remarkable facts. Her real name was Isabella Ribera, and she was born in a little village in the Sierra Nevada, of Andalusia. Her mother was a highly respectable peasantwoman, of a peculiarly romantic disposition, and fond of listening to and reading weird and supernatural stories. Her father was also a peasant, but intellectual beyond his class. By dint of hard work, he acquired a considerable amount of land and large numbers of cattle, and ultimately became the mayor of his village.

There were two peculiarities noticed about Isabella Ribera when she was born. She had an extraordinary amount of back hair, and the lids of her eyes remained fast sealed until she was a year old. An operation was at first talked about, but the child was examined by a doctor of some repute in the nearest town, and he advised against the operation, saying that it was better to let nature take her course. When the girl was in her thirteenth month she one day suddenly opened her eyes, and those who saw them were frightened. Some people said that they were seal’s eyes, others that they were the eyes of a snake, and others, again, that ‘the devil looked through them.’ The superstitious people in the village urged the parents to consult the priest, and this was done, with the result that the infant was subjected to a religious ceremony, with a view to exorcising the demon which was supposed to have taken possession of her.

As the girl grew she displayed amazing precocity. When she was only four she was more like a grown woman in her acts and ways than a child, and the intuitive knowledge she exhibited only served to increase the superstitious dread with which she inspired people. One day, when she was nearly five, her father had a pig killed. The girl witnessed the operation, and seemed to go almost mad with delight. And suddenly, to the horror and consternation of those looking on, she threw herself on the dying animal and began to drink the blood that flowed from the cut throat. Somebody snatched her up and ran screaming with her to her mother, who was distracted when she heard the story.

The incident, of course, soon became known all over the village, and indeed far beyond it, and a fierce hatred of the child seized upon the people. The consequence was, the parents had to keep a very watchful eye over her. They were seriously advised to have the girl strangled, and her body burnt to ashes with wood that had been blessed and consecrated by the priests. Fearing that an attempt would be made upon her life by the villagers, Isabella’s parents secretly conveyed her away and took her to Cordova, where she was placed in the care of the mother superior of a convent.

At this place she was carefully trained and taught, but was regarded as an unnatural child. She seemed to be without heart, feeling, or sentiment. Her aptitude for learning was looked upon as miraculous, and a tale of horror or bloodshed afforded her an infinite amount of enjoyment.

When she was a little more than twelve she escaped from her guardians and disappeared.

For a long time no trace of her was forthcoming, then it became known that she had joined a band of gipsies, and gained such a dominating influence and power over them, that she was made a queen and married a young man of the tribe. A month afterwards he was found dead one morning in his tent. The cause of his death remained a mystery, but it was noticed that there was a peculiar blue mark at the side of his neck, from which a drop or two of blood still oozed.

A few weeks after her husband’s death, Isabella, queen of the gipsies, announced to her tribe that she was going to sever herself from them for a time and travel all over Europe. Where she went to during the succeeding two years will never be known; but she was next heard of in Paris, where she was put upon her trial, charged with having caused the death of a man whom she alleged was her husband. She was then known as Madame Ducoudert. The husband had died in a very mysterious manner. He seemed to grow bloodless, and gradually faded away. And after his death certain signs suggested poison. An autopsy, however, failed to reveal any indications of recognised poisons. Nevertheless madame was tried, but no evidence was forthcoming to convict her, and she was acquitted.

Almost immediately afterwards she quitted Paris with plenty of money, her husband, who was well off, having left her all his property. The Paris police, through their agents and spies, ascertained that she proceeded direct to Bordeaux, where, in a very short time, she united herself to a handsome young man, the only son of an exceedingly wealthy Bordeaux wine-merchant. She had changed her name at this stage to Marie Tailleux. She had a well-developed figure, an enormous quantity of jet black hair, and perfect teeth. In other respects she was considered to be ugly, by some even repulsive. And yet she exercised a fatal fascination over men, though women feared and hated her.

She went from Bordeaux to London with the wine-merchant’s son, and six months later the English people were treated to a sensation. ‘Madame and Monsieur Tailleux’ travelled extensively about England and Scotland. Monsieur fell ill, soon after arriving, of some nameless disease. His illness was characterised by prostration, languor, bloodlessness. He consulted several doctors, who prescribed for him without effect.

The pair at last took up their residence at a very well-known metropolitan hotel, where they lived in great style, spent money lavishly, and were supposed to be people of note. But one morning monsieur was found dead in bed, and as no doctor had been treating him for some time, and the cause of death could not be certified, an inquest was ordered and a post-mortem became necessary. Those who made the examination had their suspicions aroused. They believed there had been foul play—at any rate, the man had died of poison. The police were communicated with: result, the arrest of madame, and columns and columns of sensational reports in the papers.

Amongst madame’s belongings was found a little carved ebony box containing twelve receptacles for twelve tiny phials. Some of these phials were empty, others full of liquid that varied in colour; that is, in one phial it was yellow, in another red, in another green, in another blue, and yet another held what seemed to be clear water.

The chemical analysis of the contents of the stomach quite failed to justify the suspicions of poison. But the blood had a peculiar, watery appearance; the heart was flabby and weak. Madame accounted for possession of the phials by saying they contained gipsy medicine of great efficacy in certain diseases. There was such a small quantity in each phial as to make analysis practically impossible; certain animals, however, were treated with some of the contents, and seemed actually to improve under the treatment. Under the circumstances, of course, there was nothing for it but to release madame, as the magistrate said there was no case to go before a jury.

It is worth while to quote the following description of the woman at this time. It appeared in a report in the Times.

‘The prisoner is a most extraordinary looking woman, and appears to be possessed of some wonderful magnetic power, which half fascinates one. It is difficult to say wherein this power lies, unless it be in her eyes. They are certainly remarkable eyes, that have a peculiar, glistening appearance like oil. Then her voice is a revelation. Until she speaks one would be disposed to say the voice of such a harsh-featured woman would be hard, raucous, and raspy. But its tones are those of a silver bell, or a sweet-toned flute. Her self-possession is also marvellous, and she smiles sweetly and fascinatingly. Somehow or another she gives one the impression that she has some of the attributes of the sirens of old, who were said to lure men to their destruction. Possibly this is doing the woman an injustice; but it is difficult to resist the idea. Her hands, too, are in striking contrast to her general physique. They are long, thin, lithe, and white. Taken altogether, she cannot certainly be described as an ordinary type of woman, and we should be disposed to say that, allied to great intelligence, was a subtle cunning and a cruelty of disposition that might make her dangerous.’

This description was written during the time the woman was a prisoner. The writer showed that he had a keen insight, and had he but known some of her past history he would probably have written in a much more pronounced way.

‘Madame Tailleux’ was discharged for the want of legal evidence, and Madame Tailleux soon afterwards left England and went to America, where she became ‘Miss Anna Clarkson’; and though nobody knew anything at all about her, she had no difficulty in making her way into so-called Society; but not as an associate and companion of women, who shunned and hated her as she hated them; but men followed her, as men are alleged to have followed Circe. Indeed, in some respects, the classical description of Circe with her magic and potions might apply to Isabella Ribera, with the many aliases.

In a very little while Phineas Miller fell a victim to her potent spells. Phineas was a young man, a stockbroker, and rich. The twain journeyed to Florida, from whence Phineas wrote to an intimate friend that he was strangely ill, and he believed the climate was affecting him. He looked like a corpse, he said. He was languid. He took no interest in anything. He suffered from a peculiar prostration, and found a difficulty in moving about. Yet he experienced no pain, and at times sank into a dreamy state that was pleasant. He thought, however, as soon as he left that part of the country he would be all right.

He was doomed, however, never to leave that part of the country. He went out one day with Miss Anna Clarkson, and an old negro, to shoot in the swamps. They had a boat which was in the charge of the negro. That evening, Miss Clarkson returned alone. She was drenched and covered with slime and mud. There had been an accident. The boat had capsized by striking against a sunken tree. They were all thrown into the water. She managed to cling to the boat, and ultimately to right it, but her companions disappeared. The negro, she thought, was taken by a crocodile.

A search-party went out to try and recover the bodies. The negro was never found, Miller was. He presented an extraordinary appearance, and those who examined him said he had not died by drowning. This theory, however, found no favour. Men were often drowned in the swamps, which swarmed with alligators and crocodiles, huge snakes, and other repulsive things. When a man once got into the water he had no chance. It was a perfect miracle how Miss Clarkson escaped. ‘Poor thing, she must have had an awful time of it.’

It is true that crocodiles, alligators, and snakes did swarm in the swamps, and the remarkable thing was that Miller’s body was recovered. Much sympathy was shown for Miss Clarkson; Miller was duly buried and forgotten in a week.

Amongst the lady’s most pronounced sympathisers was a Mr. Lambert Lennox, an Englishman engaged in fruit-farming. He was about forty-five, a widower with two daughters and a son. It was generally agreed that he was one of the finest men in Florida. He was an athlete. He stood six feet two in his stockings. His health was perfect. It was his boast that he had never been laid up a day with illness.

Mr. Lennox had some business to transact in Jamaica, West Indies, and sailed for that island in one of the trading vessels. In the same vessel went ‘poor’ Miss Clarkson. A month or two later Mr. Lennox, Jun., received from Mr. Lennox, Sen., a letter dated from Jamaica, in the West Indies. Amongst much other news the writer told his son that he had not been well. He had a strange anæmic appearance, felt weak and languid, had no energy, suffered from unquenchable thirst, and was constantly falling asleep suddenly, often at the most inopportune moments. He had consulted a doctor, who was of opinion that the climate of Jamaica didn’t suit him, and he advised him to get away as soon as possible. ‘I shall therefore be home in about six weeks,’ Mr. Lennox added. But in the meantime he departed for his long home. Mr. Lambert Lennox died somewhat suddenly one morning, and was buried in the evening. The doctor who had been attending him certified that he had succumbed to low fever. The next mail that went out bore the sad intelligence to his family, and people marvelled much when they heard that handsome Lambert Lennox, the man with the iron constitution, had slipped away so quickly, more particularly as long residence in Florida had inured him to a hot climate and miasma.

It was found difficult to trace Miss Clarkson’s movements during the next two or three years, but there were grounds for believing that she travelled extensively, and amongst other places visited India, and in this connection there was a somewhat vague and legendary story told. At a hill station a strange and mysterious woman put in an appearance. She was thought to be either a Spaniard or a Portuguese. She was known as Mademoiselle Sassetti, though why ‘Mademoiselle,’ if Spanish or Portuguese, was not explained. But that is a detail.

This mysterious lady claimed to have occult powers. She could read anyone’s future. She could perform miracles. The women kept away from her because they were afraid of her, though there was no definite statement as to how this fear arose. But the men showed no fear, as became them, and amongst others who consulted her was a handsome, much beloved young military officer. His frequent visits to the sorceress caused a good deal of talk, as it was bound to do in an Indian hill station. Grey-bearded men shook their heads sadly, and wise and virtuous women turned up their noses and muttered mysterious interjections such as ‘Ah!’ ‘Oh!’ ‘Umph.’

One day the station was startled by a report that the young officer had been found dead in a jungle in one of the valleys. He had been bitten by a cobra, so the report said, for there was a peculiar little blue mark at the side of his neck.

If the virtuous ones didn’t actually say it served him right, they thought it; and the grey beards looked more knowing than ever, and mumbled that the young officer had been dining somewhere not wisely but too well, and had mistaken the jungle for his bedroom, and gone to sleep, otherwise how did the cobra manage to bite him in the neck.

It seemed a plausible theory. Anyway it got over a difficulty, and it brought an unpleasant little scandal to a tragic and abrupt end. So the virtuous ones went about their many occupations again, and the atmosphere was purer when it was known that the sorceress had disappeared as mysteriously as she had come.

The next direct evidence we got was that under the name of Isabella Rodino the adventuress turned up in Rome, where she rented a small but expensive villa in the fashionable Via Porta Pia. Everyone who knows Rome knows how exclusive society is, but while Isabella Rodino made no attempt to be received by Roman society she attracted to her villa some of the male representatives of the best families in the city. Amongst these gentlemen was the scion of one of the oldest Roman houses.

Now it may be said boldly here, and that without any reflections, that the young gentlemen of Rome, as of most other continental cities, are allowed a good deal more latitude than would be accorded to the same class in, say, cold-blooded, unromantic, prosaic, and commonplace London, whose soot and grime, somehow, seem to grind their way into people’s brains and hearts. Anyway the young gentleman referred to, whose baptismal name was Basta, did not at first provoke any very severe criticism, but he was destined ultimately to give the Romans a sensation to talk about for the proverbial nine days, for one Sunday morning a humble fisherman, having some business on the Tiber, fished out of that classic river the stark body of the scion. Over Rome flew the news, and those who loved him, and looked to him to uphold the honour and dignity of his family, were horror-stricken.

Now, it’s a very curious thing that his distracted relatives firmly believed that the young prodigal had in a moment of remorse, after a night’s debauch, flung himself into eternity via the Tiber, and so mighty was their pride that they used their wealth, their influence, and their power to stifle inquiry, and caused a report to be circulated that Basta had met his end through accident. It is no less curious that the family doctor who examined the body was of opinion that there was something mysterious about the lad’s death, for he certainly had not died by drowning, and on one side of the neck was a peculiar little bluish puncture. But as the family persisted in their view, the doctor, not wishing to lose their influential patronage, observed a discreet silence.

A week later, however, an agent of the police called on Isabella Rodino, and did something more than hint that it was desirable that within twenty-four hours she should leave Rome as quietly and unobtrusively as possible. The result of this functionary’s call was that Isabella Rodino journeyed to Florence by that night’s mail train. It was known that she only sojourned two days in the fair city on the Arno.

After that there is another hiatus of something like two years in her known career, and it is not easy to fill it up. And this brings us to that fatal night at Wiesbaden, when ill-starred Jack Redcar met the enchantress on the hotel stairs. From that point to the moment when, her role being finished, she disappeared for ever from the ken of men, the reader of the story can fill in for himself. She played out her last act under the name of Annette. In selecting her many names she seemed actuated by a fine sense of poetic euphony, and in selecting her victims she was guided by a ‘damnable’ discrimination.

‘Annette,’ as we will now call her, was a human riddle, and she illustrates for the millionth time the trite adage that ‘Truth is stranger than Fiction,’ besides which she presents the world with an object lesson in the study of the occult.

Dick Donovan (J. E. Preston Muddock (1843 – 1934))